It’s a gray day here but with very large and very white snowflakes floating leisurely down from heaven, putting me in quite a reflective mood. I had wanted to build on my Sunday energy, after working on my Online Institute course and attending church, and work on my upcoming book by the same name as this website: Last Days Decoded. I was about to start throwing content into it when my energy simply deserted me. I know when I’m licked, so I “clocked out” and rummaged through my videos, finally deciding on a marvelous mini-series, Winds of War, continuing the first episode I started a few days ago. Today I saw Natalie Jastrow and Byron Henry plunge into Poland, to visit her Jewish uncle Berel Jastrow and other long-lost relations, just before Germany invades.
They are driving into her father’s hometown when Natalie spots a road sign: Oświęcim. She comments on it and says, “That’s where my father and Aaron [her other uncle] studied the Talmud as boys. It had a different name then under the Austrians. What was it?”
Berel: “Auschwitz.”
Talk about foreshadowing! The producer and director of this series, Dan Curtis, was the very first to get approval to film in the actual Auschwitz location. They had to rebuild the railroad track entering under the famous guard tower in order to film the scene, “The Last Train to Auschwitz,” where many of the extras on that train had actually been interned there as children. They volunteered for this job in order to stare down the ghosts of their past. It was filmed at the exact location where it had really happened, and in the middle of winter, in the middle of the night. Filmed technically in color, it was foggy, gray, black and white. I felt cold just watching it. German guards practically dragged Jews off the trains or stood at rigid attention holding back ferociously barking German Shepherds. Herman Wouk, the author of the original novels, and Producer Director Dan Curtis were watching from the sidelines and commented he believed this was exactly how it must have really been. The extras confirmed it, and the Assistant Director had been one of them, arriving there at age 13. He survived two years in the work camp, then dedicated his life to making films about the Holocaust. His name: Branko Lustig and he went on to direct Schindler’s List.
The story follows two American families’ experience all through the war from the early 1939 build-up, to war’s end in 1946. One family is Jewish (the Jastrows) and one Christian (The Henrys). They bump up against one another with life-changing results, much of it shaped by events of the war. Not only is their personal story engaging, but this is also a serious lesson in contrasting decision-making styles:
Some characters were clear-minded, seeing reality for what it was, and decisive. So they almost always had a better outcome. Others struggled with cloudy, even wishful thinking, becoming paralyzed mentally. They were then pushed along by circumstance to often disastrous consequences. These two groups present different archetypal styles we see in life today: those who take charge of their circumstances – to the degree they can – and those whose circumstances take charge of them.
In graduate school, I took a course called The Psychology of Learning where we mostly studied lab mice and rats. In one experiment, rats soon learned to push a lever to get a food pellet. The experiment’s goal was to see what happened when this positive reinforcement was given a negative component. The lever was wired to deliver a relatively mild but definitely unpleasant electric shock. The rats’ responses were fascinating: most found the relative strength of the positive and negative reinforcers to be about equal. Usually they just froze in front of the lever unable to make a decision, unless they were very hungry. We see this ambivalence, even paralysis, in others and, if we look, we can probably see it in ourselves when presented with a situation that both attracts us and causes us real pause. We can’t let that normal human reaction, though, control our decisions when the consequences might mean life or death. We have to consciously break that log-jam.
In this series, we see how both types process decisions in light of a grim new reality which challenges each one to examine their deepest identity and goals, see their choices clearly, then act decisively in line with those values. Those characters who couldn’t do this, and who didn’t understand the patterns of history, usually paid a heavy price.
Other movies to watch or books to read containing the same lesson: Woman in Gold (a movie based on a true story about art restitution in Austria), Eleni (a book detailing a true story of escape from Nazi-controlled Greece during WWII), and Coming Out of the Ice (another true story in book form) about a family who was sent by Ford Motors to Stalin-controlled Russia in the late 1930s, against the intuition and better judgment of the mother. They should have listened. All perished except the son Victor who survived 18 years in Siberia – a riveting read.
Author Herman Wouk manned a minesweeper ship in the Pacific, and he had begun writing for the Navy in the war. He came home and wrote Caine Mutiny taken from his war experiences for which he won a Pulitzer. Then thinking there was a bigger novel behind this cataclysmic event, he estimated it would probably take three years of research and end up about 800 pages long. Eventually calling it The Main Task, he didn’t start until 1960. It ended up as 2,000 pages in 3 volumes and took 14 years! It topped the best-seller list, and he had many offers to turn it into a TV miniseries. But since he hated what had been done with previous books, The Caine Mutiny, Marjorie Morningstar, and others, he refused to entertain any of them. But Dan Curtis promised him the moon, including writing the screenplay and having a voice in sponsors and casting. The result: a gorgeous production totally true to the original story, with top actors, filmed in 10 countries, using over 40,000 extras, and costing ABC many millions. It’s a never-to-be-repeated miracle of film-making, not a sanitized account of the Holocaust, and a must see!
Winds of War takes our story from March 1939 to Pearl Harbor and runs 18 hours. War and Remembrance starts there and ends in 1946 and runs 30 hours. I tell people that Winds is the appetizer and War. . . is the meal! Two couples who watched the whole thing, at my recommendation, all said, “This was LIFE-CHANGING!” Winds of War broke viewing records at the time (1983, then War. . . in 1988) and for good reason: They’re both excellent start to finish and top to bottom, pulling no punches about the harsh realities of the Holocaust.
But finally, it is simply wonderful story-telling about what war does to people and to their lives. Romance was involved and as attention grabbing as that was, at the end of the day, both I and one of those other viewers said that the character with the most impact was Aaron Jastrow. He and his cousin Berel had grown up and studied the Talmud together in the town that later became Auschwitz. But they took different paths in life. Berel stayed faithful to the religion of their fathers, while Aaron became disaffected as a teenager, migrated to America, and excelled as an academic. His book, A Jew’s Jesus, was so successful that he bought a villa near Sienna, Italy and was working on his next book, The Arch of Constantine, with the help of his niece Natalie Jastrow, armed with a Master’s Degree from an East Coast women’s college and an attitude of privilege.
Aaron also hires Byron Henry as a research assistant, an American and a Christian, whose father, Victor Henry, is the American naval attaché to Germany in early 1939. Natalie is played by a young Allie McGraw and the role of Aaron is filled by John Houseman in Winds and John Gielgud in War. Byron falls hard for Natalie and so begins a long story line. His father has problems in his marriage with a complicated ending. As compelling as those stories are, the trajectory of Aaron Jastrow has real staying power. He started out as a cultural Jew who came up against the realities of his Jewishness in extreme circumstances that challenged him to decide where his true identity and allegiance lay. His story was so brilliantly told and acted, it is simply one of the best performances I’ve ever seen, by an actor in his 80s! For a rich taste of John Gielgud’s talent, watch his performance telling his fellow Jews the story of Job, in this YouTube clip from War . . . HERE, then keep viewing the follow-up interviews and readings by Herman, even after age 100! As Latter-day Saints, we have some further comfort to offer Aaron and his fellow Jews. They will all come to a unity of the faith after Christ rescues them at the Mount of Olives. And what stories they will have to share!
Both mini-series are available in most library systems and to purchase reasonably on Amazon: Winds HERE and War HERE. These are what I bought, but there are multiple versions. Be sure to buy one that plays on N. American DVD/Blu-Ray players (NTSC format).
Every story in this amazing saga was different and every ending unique. Someday we’ll have our own stories to tell about experiences in the Great Tribulations coming to Gentile America, both the trials and the miracles that we’ll share at Adam-ondi-Ahman with all the other faithful followers of Christ. Viewing or reading stories like this can make it all so much more real, and prepare us for our own hard decisions. And finally remember: our righteousness doesn’t protect us from adversity but qualifies us for spiritual, even miraculous help to get through it.
Now YOU have a decision to make: Will you deliberately choose to look the gathering storm in the eye? Will you study the wartime adversities of others and put yourself “in the picture”? Are you willing to set aside your comfortable world for a time, step into another, and then suffer vicariously to lessen your suffering in the tribulations ahead? We cannot change the actual reality predicted by the scriptures and confirmed by our growing knowledge of the immense evil awake on our planet. Just as the last good witch in Sleeping Beauty cannot undo Maleficent’s curse on the baby princess Aurora, we cannot undo the curse upon mankind because of sin, greed, and the fall.
“But,” in her words, “. . . I can soften it. Instead of dying, the princess will sleep 100 years and then wake from the kiss of true love.” So we too can also soften the impact of what’s to come: by preparing mentally and emotionally for hard times, and remembering that the Lord matches the size of His miracles to the depth of our adversity and need.
Then we can end up at the GREAT day we’re all looking forward to: Adam-ondi-Ahman and the New Jerusalem with our beloved Savior healing our wounds and sorrows – the symbolic “kiss” of true love between Christ, the ultimate Bridegroom, and His Bride, the Church.
© 2023 Janet Kent – all rights reserved